Yasunari Kawabatas Masterpiece Yukiguni Research Paper

Yasunari Kawabatas Masterpiece Yukiguni - Research Paper Example After his parents’ untimely deaths, he came to be raised by his maternal grandfather. He lost his grandparents at a young age either and by the time of his teens, was bereft of most of his close relatives. While graduating from the Tokyo Imperial University, Kawabata contributed to the magazine Bungei Shunju, which brought him to the attention of editors and well-known writers of that time, including author Kan Kikuchi. He went on to become one of the founders of Bundei Jidai (or ‘the artistic age’), a publication that became the medium for a new movement in modern Japanese literature. Kawabata also worked for a time as journalist and claimed himself to be deeply moved by World War II, which was apparently one of the greatest influences on his work. Kawabata allegedly committed suicide in 1972 by gassing himself, although this has not been conclusively proven. It is certain however that the early loss of his family and, by his own admission, the horrors of the war , left his work with a tinge of melancholy and sense of insecurity and loss. He was the first of two Japanese Nobel laureates – Oe Kenzaburo being the other – and is perhaps globally, the best-known Japanese writer in contemporary times, although his status in his native country as an author is still widely debated among critics (Miyoshi). Kawabata’s literary style is characterized by its free flowing imagery. He uses surprisingly original and unusual images in his stories that emphasize the poetic quality of his writing. In Yukiguni (Snow Country) for instance, the imagery employed is especially effective and beautiful in telling the emotionally charged love story of the geisha and the dilettante from Tokyo. Masao Miyoshi, in his review of Yasunari Kawabata talks about this ‘dependence of visualization’ as a result of his being essentially a short-story writer. Reiko Tsukimara in ‘A Thematic Study of the Works of Kawabata Yasunari’ ide ntifies ‘ryoshu’ and ‘aishu’ as two primary elements in Kawabata’s work. Ryoshu is described as an ‘intense emotional realization that you have found a home of your soul’ and aishu translates to ‘sorrow’ (Tsukimara 23). According to Tsukimara, these two emotions recur in Kawabata’s writing most persistently. They appear together as the recognition of finding a home for one’s soul or ryoshu is accompanied by a sense of profound sorrow or aishu as well. This paper will seek to explore what previous scholars have already commented on Kawabata’s writing technique and thematic concerns and test them on what has been called his masterpiece by Edward G. Seidensticker, Yukiguni or Snow Country. The paper will also explore if there are departures from his usual style and from what scholars like Tsukimara and Miyoshi assert. And finally, it will attempt to make fresh observations on Kawabata’s style through the study of Snow Country. Snow Country began as a short story that was published in 1935 in a literary journal. It was published serially, with Kawabata reworking later, between 1935 and 1937. A new ending and a collation of seven pre-existing versions appeared in 1937. Kawabata again worked on the story and between 1940 and 1941 the story was again published in journals in two sections. These two sections were merged by Kawabata in 1946, with another piece added in 1947. The book as it stands today was the result of combining nine previous versions, published in 1948 (Seidensticker). This complex and long publication history of the story and the its ‘piecemeal’ nature as Seidensticker calls it in his introduction to Snow Country’s translation reiterates the idea of Kawabata as being primarily a short-story writer. The repeated editing and elaborating of what began as a

The Concept of Grace Essay Example | Topics and Well Written Essays - 500 words

The Concept of Grace - Essay Example The accused would defend them as being an orphan, was defending them, and would be granted the grace. Grace may also occur in a situation where one is given time to pay a dept. Many always referred to it as the grace period. If a friend owes some money, he may give each other grace period to get the money. This grace could be given because the debtor was in little problem and could not pay up on time. It is difficult to find other organisations such as banks giving grace period. This is because they have their fixed times set out for payment of loans. According to religion, God gave his only son, who was without sin, to come and die for the sins of humans. This shows how much God loved the human race. He did not want us to perish in sin (Gesenius & Samuel, 2003). One of the most appropriate ways to express grace is by forgiving someone who has behaved inappropriately. This may or may not be a relative. When parents indulge their children and continue to pay school fees for them, it is a measure of grace. Another appropriate way to show grace is when one does well to someone who always wrongs him or her. In this way, the person doing the crime does not deserve to be treated rightly, but they are favoured. This is a show of the unmerited favour. People always say we are living by the grace of God. This shows that humans have not given God anything in the form of payment to allow them to live. God just allow them to live even if they continue sinning. Persons are prone to taking advantage of others kindness. The above named examples could be ways of inappropriate ways to show grace, if one is your friend and they keep doing wrong things because they know that they would not be held accountable. In such a situation, it is wrong to show grace. This is because they are taking advantage of other peoples kindness. Giving people a long grace period to pay up their debts is inappropriate. This is because they tend to think that everyone is lenient as you are. This